Paresh Kamdar: The Unsung Hero of Indian Independent Cinema

Paresh Kamdar has become a pivotal figure in Indian independent cinema, known for his exceptional editing skills and mentorship. His work has significantly influenced numerous films that have gained international acclaim. From his early days in Kolkata to his transformative experiences at the Film and Television Institute of India, Kamdar's journey is marked by a deep passion for storytelling. His unique approach to editing not only enhances narratives but also supports emerging filmmakers. This article delves into Kamdar's career, his philosophy on film editing, and the lasting impact he has made on the indie film landscape.

By Bhavika Jain Tue, 23 Dec 2025

Paresh Kamdar: The Unsung Hero of Indian Independent Cinema

Introduction to Paresh Kamdar's Contributions

The credits of many Indian art films often feature the name Paresh Kamdar, whether as an editor, mentor, or in the acknowledgments. Over the last twenty years, his name has consistently appeared in indie films that have gained recognition at international film festivals.

Notable Works and Mentorship

Kamdar's editing portfolio includes acclaimed films such as Miss Lovely, Ghode Ko Jalebi Khilane Le Jaa Riya Hoon, and I’m Not the River Jhelum. He has also played a pivotal role in mentoring various projects, including Eeb Allay Ooo! and Songs of Forgotten Trees.

Kamdar's Editing Philosophy

At 67, Kamdar is known for transforming promising films into exceptional works that are festival-ready. His ability to extract the essence of a narrative while respecting its unique voice has earned him immense respect in the industry.

Recognition from Peers

Anuparna Roy, director of Songs of Forgotten Trees, praised Kamdar as a 'guide and friend', highlighting his commitment to the film despite health challenges. Nidhi Saxena, director of Secret of A Mountain Serpent, noted Kamdar's selfless dedication to alternative cinema.

Educational Background and Career Journey

Kamdar studied editing at the Film and Television Institute of India in the 1980s and has worked on various documentaries and films. He returned to editing in 2012 after directing two films, Tunnu Ki Tina and Khargosh.

Reflections on His Early Years

Growing up in a middle-class Gujarati family in Kolkata, Kamdar was captivated by cinema from a young age. His experiences at FTII were transformative, exposing him to a vibrant community of filmmakers and a diverse range of cinematic styles.

Career Development and Challenges

After graduating in 1986, Kamdar took on various editing assignments, including documentaries that broadened his understanding of Indian society. Although he initially hesitated to move to Mumbai, he eventually embraced opportunities that came his way.

Directorial Ventures and Their Impact

His directorial debut, Tunnu Ki Tina, was a significant step in his career, showcasing his unique storytelling style. Despite facing challenges with its release, the film garnered critical acclaim.

Return to Editing and Current Projects

Kamdar's return to editing has seen him work on notable films like Miss Lovely and The Good Road. His editing philosophy emphasizes aligning with the filmmaker's vision while maintaining the film's rhythm and essence.

Conclusion: A Pillar of Independent Cinema

Kamdar's contributions to Indian independent cinema are invaluable. His dedication to nurturing new talent and his insightful editing techniques continue to shape the landscape of contemporary filmmaking.